Dorran Alibaud

Cello

Bruckner. Symphony No. 9 (May, 2024)
Mahler. Symphony No. 5 (October, 2024)

Dorran Alibaud regularly plays as a guest principal cellist with the Rotterdam Philharmonic Orchestra, Royal Stockholm Philharmonic, Les Siècles, and more. His passion for music took root during his years as a soloist for the Gustav Mahler Jugendorchester. A vintage watch and Depeche Mode enthusiast, he discusses the parallels between Bruckner and Mahler, and his work with Teodor Currentzis.

What has been the most significant or impactful experience you've had in your musical journey?

Since I was 18, I’ve had the incredible opportunity to delve into the profound legacies of Mahler and Bruckner. Working closely with esteemed conductors like Claudio Abbado and Herbert Blomstedt, across numerous orchestras, has been an enriching journey. Among these experiences, particularly my time with the Gustav Mahler Jugendorchester holds a special place in my heart.

How did your time in Utopia change you?

The details we work on are surgical. Each phrase has a meaning and needs such precision. But what is more important, Utopia is a family. I’ve discovered musicians I’m proud to call friends.

What’s been on your playlist recently?

Lately, I’ve been listening to music from the 1980s and 90s (I was born in the 1990s). The sounds, the electric vibes, I feel like our current pop/rock music business has lost its sense of melody. Just take any Michael Jackson, Queen, David Bowie, Depeche Mode, etc. I keep classical music away from my AirPods.

What work of art, literature, or cinema would you compare Bruckner’s Ninth Symphony to?

Bruckner dedicated his last Symphony “to the beloved God”. It has a resonance for me with the famous painting by Caspar David Friedrich, Wanderer above the Sea of Fog, 1818. It shows a man confronting the vastness of nature and, ultimately, God.

What are the similarities and differences in the performance of the music of Bruckner and Mahler?

Comparing Mahler and Bruckner is a challenge, as they are both remarkable in their own right, and I find them to be absolutely complementary. Mahler’s innovation in form and emotion is unparalleled, while Bruckner’s mastery lies in harmony and spirit. I perceive Bruckner’s music as more adventurous. The depth and complexity of Bruckner’s work continue to inspire and challenge me as a musician.

Utopia in three words?

Precision, dedication, sublimeness.